PDF Print E-mail

Origins of the Ukulele:

 

Hawai'i:

The ukulele is commonly associated with music from Hawai‘i, where the name roughly translates as "jumping flea". According to Queen Lili'uokalani, the last Hawaiian monarch, the name means "the gift that came here", from the Hawaiian words "uku" (gift or reward) and "lele" (to come).

Developed in the 1880s, the ukulele is based on a small guitar-like instrument, the cavaquinho, introduced to the Hawaiian Islands by Portuguese immigrants. Three immigrants in particular, Madeiran cabinet makers Manuel Nunes, José do Espírito Santo, and Augusto Dias, are generally credited as the first ukulele makers. Two weeks after they landed aboard the Ravenscrag in late August 1879, the Hawaiian Gazette reported that "Madeira Islanders recently arrived here, have been delighting the people with nightly street concerts."

One of the most important factors in establishing the ukulele in Hawaiian music and culture was the ardent support and promotion of the instrument by King David Kalakaua. A patron of the arts, he incorporated it into performances at royal gatherings.

 

U.S. mainland:

The ukulele was popularized for a stateside audience during the Panama Pacific International Exposition, held for most of 1915 in San Francisco. The Hawaiian Pavilion featured a guitar and ukulele ensemble, George E. K. Awai and his Royal Hawaiian Quartette, along with ukulele maker and player Jonah Kumalae. The popularity of the ensemble with visitors launched a fad for Hawaiian-themed songs among Tin Pan Alley songwriters. The ensemble also introduced both the lap steel guitar and the ukulele into U.S. mainland popular music, where it was taken up by vaudeville performers such as Roy Smeck and Cliff "Ukulele Ike" Edwards.

The ukulele soon became an icon of the Jazz Age. Highly portable and relatively inexpensive, it also proved popular with amateur players throughout the 1920s, as is evidenced by the introduction of uke chord tablature into the published sheet music for popular songs of the time, a role that would eventually be supplanted by the guitar in the early years of rock and roll. A number of mainland-based instrument manufacturers, among them Regal, Harmony, and Martin, added ukulele, banjolele, and tiple lines to their production to take advantage of the demand.

From the late 1940s to the late 1960s, plastics manufacturer Mario Maccaferri turned out about 9 million toy ukuleles. Much of the instrument's popularity was cultivated via The Arthur Godfrey Show on television. Singer-musician Tiny Tim became closely associated with the instrument after playing it on his 1968 hit "Tiptoe Through the Tulips". Hawaiian-born Jake Shimabukuro has become a popular ukelele performer in recent years, having played the instrument since the age of 4. The instrument has also found use by some indie pop performers, such as Beirut (band) and Noah and the Whale.